I N S T I N C T S
: a way of behaving, thinking, or feeling that is not learned : a natural desire or tendency that makes you want to act in a particular way
: something you know without learning it or thinking about it
: a natural ability
L'enfant Sauvage François Truffaut 1970
In a French forest in 1798, a child is found who can not walk, speak, read or write. A doctor becomes interested in the child and patiently attempts to civilize him.
1 O B J E C T
2 G I V I N G M E A N I N G
So I did something a surreal. This object realy has something arcitectural. So I decided that it could be assimilated to a church. Then I linked it with The church of light by Tadao Ando. Why? Becaue like what I describes, the arcitect uses light (a medium that comes directly form the sky, were God is represented) and it comes here in the church and make the shape of a cross.
I find it interesting that I came up with this idea because the previous week my material was ligh so it must of influenced me in someways.
S Y N E S T H E S I A
4 I N S P I R A T I O N
The ultimate anti-perfume. The notes are inspired by dust on a hot lightbulb, bamboo, metal, electricity and lettuce juice…no lie! But what does it smell like? Surprisingly, it's a completely wearable scent; metal and electricity manifest as the invigorating smell of ozone just before a storm, and the combination of we-don't-know-what makes for a familiar soapy freshness. Hot laundry right out of the dryer served up on your clean, sexy Xerox machine. Released in 2000, Odeur 71 continues to make huge stir-not just for its revolutionary scent structure, but because it's a testament that a combination of the truly weird can make a truly fantastic fragrance.
1 O B J E C T O B S E R V A T I O N
"ASPACIAL EMPTY FEELING CLEAR QUESTION SLIPERY LIGHT LIGHT REFLEXION THING
NEGATIVE SPACE OPPOSITE SIDE IMMAGINATION CONCEPT TEMPERATURE NEUTRAL"
R E P R E S E N T A T I O N M A T E R I A L S
Ink -> Simple, clear. Enables to understand the lines, light and texture of the object.
Chalkcoal -> Suave. Hightlight the shadows (the negative space).
Chalk -> Ton sur ton. White on white it's hard to see. It's a very light medium (=the object).
Tape and Marker -> Smooth. Retranscite the feeling (touche).
Pastel -> Aspacial. White on white = hard to see. Not obvious.
Cutting -> Negative space. A contour. An emptiness.
Pen -> White on white. Thine line = thine naterial. Clean.
Tape -> Volume. Light. Transparent. 3D.
Collage and cuttung -> Plains. Shadows.
3 F I V E O R S I X S E N S E S
We were then aked to describe our object with the medium(s) of our choise but throught one sens only. It could be sight, hearing, touch, taste, smell or even the sixth sens.
I chose the six sens, I wanted to creat my own deffinition of this sens as well.
I called it SYNESTHESIA, it means that one sense can be described throught every other sens but the sens itslef.
Since my object had absolutly no smell I decided that it would be the perfect sens to describe with the sixth sens.
The smell of this object was percepted throught:
Sight = Thnuderstorm (Light enables vision)
Touch = Metal (because the material is cold)
Taste = Sparkling water because it doesn't tastes like aything but there is something light and
bothering in it's texture
Hearing = Wind in an empty space, because it's more of an aspacial object then a spacial one
I chose to make a video because it's a medium that moves and that enable sound an vision. I think that someting moving, evolving could describe a sens well as it is someting that you need to feel throught different moments and different senses (sight and hearing).